Khelaghar

Chanchal Bhattacharya

The play Khelaghar, produced by Durgadas Smriti Sangha, was successfully staged at the prestigious Academy of Fine Arts as part of the Natyo Utsav 2025, organised by Natyomela. Written and directed by Kingshuk Bandyopadhyay, the play captivated audiences with its profound message and innovative presentation.

In a world gripped by a deadly disease, where fear reigned supreme, human connections were severed, and childhood was confined within the four walls of home. The streets lay empty, devoid of laughter and life, as an eerie silence loomed over society. People lived in isolation, grappling with the uncertainty of survival. Death’s shadow loomed large, and with it came a deep darkness that spread across the globe, extinguishing the light of hope.

At such a critical time, Durgadas Smriti Sangha, a theater group from South Garia, undertook the remarkable task of bringing forth a play that would reflect the emotions of an entire generation. Khelaghar, performed by a talented group of children, was more than just a theatrical performance – it was an experiment, a workshop theater where young minds came together to express their deepest fears, aspirations, and dreams. Through storytelling and imaginative play, they created a world that resonated with the audience.

The play revolves around Jiben Sir, a wise and compassionate teacher, who helps the children craft a story that mirrors the society they live in. The story unfolds in a village named Sonamukhi, where the people’s primary means of livelihood is breaking stones. But these stones are not just physical burdens—they symbolise the oppressive weight imposed upon them by powerful elites, the ruling class who exploit and suppress the weak.

One day, a loud explosion shakes the village. The sound of dynamite tears through the silence, marking a moment of awakening. Amidst the swirling dust of the blast, Jiben Sir disappears – leaving behind an unanswered question. But his spirit does not fade. Instead, it finds new life in the hearts of Montu, Ronta, Bhola, Ghachu, Dolon, and Champa, the children of Sonamukhi. Inspired by their beloved mentor, they rise against the oppression, breaking free from the chains that bind them. They refuse to be silenced and proclaim with unwavering determination: “We are everywhere, in every place.”

With this powerful statement, Khelaghar becomes more than just a play – it transforms into a movement, an echo of resistance and hope that reverberates through society.

The performance was an extraordinary display of teamwork and dedication. The role of Jiben Sir, portrayed by Nilanjan Ganguly, left an indelible mark on the audience. He seamlessly blended into the group of young actors, not just as a character but as one of them, making his presence deeply personal and unforgettable. Through his portrayal, the bond between the children and their mentor felt genuine, touching the hearts of everyone watching.

Adding to the brilliance of the production were the creative minds working behind the scenes. The stage was designed by Kingshuk Bandyopadhyay, whose vision brought the imaginary world of Khelaghar to life. The lighting, orchestrated by Sadhan Parui, played a crucial role in setting the mood and enhancing the emotional depth of each scene. The soundscape, crafted by Sabyasachi Pal, seamlessly blended with the narrative, evoking a spectrum of emotions – from despair to hope, from silence to an uprising. Make up by Nilanjan Ganguly added to the authenticity of the characters, while Moumita Bandyopadhyay, as the assistant director, ensured the smooth execution of every moment on stage.

Together, they created an experience that transcended the boundaries of conventional theater. The Academy of Fine Arts stage, for a brief yet profound moment, transformed into Khelaghar, a space where reality and imagination intertwined.

Through Kingshuk Bandyopadhyay’s vision and the collective effort of the entire team, Durgadas Smriti Sangha delivered a theatrical masterpiece that left an enduring impact. Khelaghar was not just a play—it was a reflection of society, a call for liberation, and a celebration of resilience.